Janitoria – Marte Eknæs & Nicolau Vergueiro at What Pipeline, Detroit

Image

Amazing show – check it out if your in Detroit, if not –

http://whatpipeline.com/shows/06martenicolau/1.html

Advertisements

Banana Love Collection by Lisa at FYA 1027 Westwood, Nov 1- 24

BLC Hammer

http://givegoodart.com/

HDTS 2013

hdts-2013-poster

Plumes together (800x261)

 

http://www.highdeserttestsites.com/hdts

What Pipeline – Detroit

540143_152064848305290_1731407562_n

Esspresents interviewed artist and gallery co-owner Alivia Zivich on the her new gallery space, What Pipeline in the southwest side of Detroit. If you are in the Detroit area, we highly recommend visiting the space at 3525 W. Vernor Hwy, Detroit, MI 48216.  For a list of upcoming events check out their website at:

http://whatpipeline.com/

IMG_1986

Ess:  With the recent media coverage on Detroit and the economic hardships the city has experienced in the last several decades, why start a gallery space in Detroit? Who are the people involved?

AZ:  The space is run by myself and Daniel Sperry, an artist who works at Wayne State University’s art collection. It seemed overdue to do a contemporary art gallery in Detroit, the larger art world has been looking at the city for a few years now.

Ess:  Having lived and traveled abroad for so many years, how do you see Detroit’s art culture in comparison to other places and within its own community?  Detroit is notorious for music, but traditionally, contemporary art has been something all together different.

AZ:  I’m learning more about Detroit’s art culture and history every day. There are many artists here who have never left, or who have a history here, who studied with the original Cass Corridor artists and witnessed Sam Wagstaff’s duration at the Detroit Institute of Art.  Detroit was and remains a very international town, in part because of the auto and music industry, and its art world has benefited from that position.  Major collectors of contemporary art have homes in Detroit’s suburbs and house large portions of their collections here.  Oakland County, to the north of Detroit, is one of the wealthiest counties in the country.  So I think in terms of the art world as a kind of small, elite economy, it’s not that much different than other places.
The flip side is the community art model being advanced by foundations such as Kresge and Knight.  There’s a lot of money to apply for if the work is posited as being community oriented.  It’s a form of redevelopment for the city and does add to the overall interest in this region. The deciding factors behind this planning seem at times to take the audience more into account than the art.  Our gallery is somewhat in response to this use of art as a redevelopment tool; we like to think all art is good for the community, regardless of whether it has that explicit intent.

Ess:  You just had your second show, and have scheduled shows for the upcoming year.  In this short time, what was What Pipeline’s initial statement or program verse, and how has your experience in the last few months changed it or expanded it?  What has the experience been like so far?

AZ:  Our mission was low overhead and a very clean, basic space to show art that interests us.  The response has been really positive and it feels good.  We haven’t really changed any direction, the experience has been affirming so far.  Just a few moments of “oh shit, we’re really doing this!”

And check out this review of the recent show:

http://www.artifizz.org/Wordpress/?tag=what-pipeline

Summer Reader 2013 on July 19 @ Party Time Building

 

(2)

A five-year collaboration with Willem Henri Lucas, Brian Roettinger, Gail Swanlund, Jessica Tan, and Jon Gacnik, the Reader series is a hair-brained graphic design project initiated by six freaks who love books. We each make a 16-page book of whatever content we like and keep it a secret from the others, until the day we bind them together as one publication and sell 100 copies for a symbolic $6. We’ve promised to do this twice a year for five years. This issue marks halfway.

 

 

SCRAPSCAPE March 7 – 24, 2013

flyer

SCRAPSCAPE is vast and sprawling. It is the structures and the waste

of our ideas and activities, from architecture to TV vignettes to air

travel. Elements are free radicals attracting and resisting each other.

It is not a sphere of oppositions but a multiplicity of abundances.

The hierarchy between invention and trash is erased. Moments of

high value shrink to a minimum, while branding is a soft and continuous

synthetic blanket. Copies are completed faster than the originals

as duplitecture is employed on every scale.

In Scrapscape clarity becomes confusion through generosity, and

taken over by transitory eclecticism.

install 1

curtain

4

5

install 2

8

install

6

7

instal too

9

10

install 3

3

detail 2

detail 1

insta

12

11

The Banana Love Collection by Lisa at FYA Feb 8

Just in time for the holiday of love, Lisa has created a limited edition collection for the ForYourArt activity space. This gestalt collection plays with the fertility symbol of the banana in relation to everyday objects – in a fruitful way.
The objects we use, consume, hold and surround ourselves with.
The histories we use, consume, hold and surround ourselves with.
The icons we use, consume, hold and surround ourselves with.
And for a limited time
The Banana Love Collection we can use, consume, hold and surround ourselves with.

256